Copyright, Agreements and Reports (5 ECTS)
Code: KX00DK86-3002
General information
- Enrollment
- 29.11.2021 - 12.12.2021
- Registration for the implementation has ended.
- Timing
- 17.01.2022 - 16.05.2022
- Implementation has ended.
- Number of ECTS credits allocated
- 5 ECTS
- RDI portion
- 1 ECTS
- Mode of delivery
- On-campus
- Teaching languages
- Finnish
- Seats
- 4 - 16
- Degree programmes
- Music
Learning outcomes
The student knows the basic principles of copyright legislation and can apply them from both a creative musician’s and a performing musician’s standpoint. The student understands the fundamentals of entrepreneurship, taxation and contractual practices, and the differences between various forms of enterprise and their applicability in their own operations. The student learns the most important reporting and contract practices regarding e.g. music publishing and distribution. The student familiarizes themselves with domestic funding systems for creative industries and understands how to write good funding or grant applications. The student is able to design and implement the productional content and different stages of an entire music project.
Content
According to the learning outcomes.
Prerequisites
Completion of the Entrepreneurship, Labour Market, and Marketing Skills course or equivalent skills and knowledge.
Teaching methods
Group tutorial
Seminar work
Interactive lecture
Assignments
Contact teaching
Remote teaching
Visits in the working life
Location and time
Lectures and workshops on Mondays at 1:00 pm - 4:15 pm either at room AS417, via remote connection, or visiting locations, which are to be announced later.
Course starts on Monday, January 17, 2022 on Zoom at https://metropolia.zoom.us/my/jeres.room (Meeting ID: 618 989 4105)
More detailed schedules are to be announced in the beginning of the course.
Teacher in charge: Jere Laukkanen, jere.laukkanen@metropolia.fi, tel. 050 401 3465
Learning materials and recommended literature
Karhumaa, Mika, Ida Lehtman & Jone Nikula. 2010. Musiikki liiketoimintana. Helsinki: Teos.
Pokkinen, Lottaliina. 2020. Muusikon sopimusopas. 3. , uudistettu laitos. Helsinki: Tietosanoma.
Web resources according to a separate link list.
Alternative completion methods of implementation
To be announced during the course.
Exam dates and retake possibilities
To be announced during the course.
Student workload
Lectures and workshops on Mondays at 1:00 pm - 4:15 pm either at room AS417, via remote connection, or visiting locations, which are to be announced later.
Course starts on Monday, January 17, 2022 on Zoom at https://metropolia.zoom.us/my/jeres.room (Meeting ID: 618 989 4105)
More detailed schedules are to be announced in the beginning of the course.
Teacher in charge: Jere Laukkanen, jere.laukkanen@metropolia.fi, tel. 050 401 3465
Content scheduling
Lectures and workshops on Mondays at 1:00 pm - 4:15 pm either at room AS417, via remote connection, or visiting locations, which are to be announced later.
Course starts on Monday, January 17, 2022 on Zoom at https://metropolia.zoom.us/my/jeres.room (Meeting ID: 618 989 4105)
More detailed schedules are to be announced in the beginning of the course.
Teacher in charge: Jere Laukkanen, jere.laukkanen@metropolia.fi, tel. 050 401 3465
Further information for students
Lectures and workshops on Mondays at 1:00 pm - 4:15 pm either at room AS417, via remote connection, or visiting locations, which are to be announced later.
Course starts on Monday, January 17, 2022 on Zoom at https://metropolia.zoom.us/my/jeres.room (Meeting ID: 618 989 4105)
More detailed schedules are to be announced in the beginning of the course.
Teacher in charge: Jere Laukkanen, jere.laukkanen@metropolia.fi, tel. 050 401 3465
Assessment methods and criteria
Continuous assessment
Peer evaluation
Attendance
Learning assignments
(total 100%)
Evaluation scale
Hyväksytty/Hylätty
Assessment criteria, approved/failed
- Attending tuition
- Completing and submitting the given exercises and assignments according to the agreed schedule
- Implementation of the production of a music project including all the necessary plans, documents, and stages of operation. By default, the project is to be realized as a “dry run”, i.e. without actual musical content. The project can be carried out individually or in small groups.