Synthesis and Sampling (5 cr)
Code: KX00DY89-3002
General information
- Enrollment
-
28.11.2022 - 11.12.2022
Registration for the implementation has ended.
- Timing
-
16.01.2023 - 10.05.2023
Implementation has ended.
- Number of ECTS credits allocated
- 5 cr
- Local portion
- 5 cr
- Mode of delivery
- On-campus
- Unit
- (2019-2024) Music
- Campus
- Musiikki
- Teaching languages
- Finnish
- Degree programmes
- Music
Implementation has 9 reservations. Total duration of reservations is 29 h 15 min.
Time | Topic | Location |
---|---|---|
Wed 08.03.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 22.03.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 29.03.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 05.04.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 12.04.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 19.04.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 26.04.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 03.05.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Wed 10.05.2023 time 09:00 - 12:15 (3 h 15 min) |
Synteesi ja sämpläys, tektuo KX00DY89-3002 |
AS223
Musiikkiteknologia
|
Objective
The student knows the fundamentals of sound synthesis and can describe the operating principles of synthesizers. The student knows how to design and produce desired sounds and effects in a digital audio workstation environment. The student can describe the basic principles of sound sampling, knows how to use sound samplers and is capable of building their own sampling instruments. The student is able to use sound synthesis and sampling in a creative manner in their own music making.
Content
The fundamentals of sound synthesis. Synthesizers and their operating principles. Fundamentals of sound sampling. The use and programming of digital audio workstations, virtual instruments, sound samplers, plug-ins, and controllers in creative music making.
Location and time
Synthesis and sampling on Wednesdays between 9.00-12.15 classroom AS223 and according schedule classroom AS523. Starting 18.1.
Materials
Shepard, B.K. 2013. Refining Sound. A Practical Guide to Synthesis and Synthesizers. New York: Oxford University Press.
Aikin, J.2004. Power Tools for Synthesizer Programming. Hal Leonard.
Teaching methods
Small group tutorial
Interactive lecture
Assignments
Contact teaching
Student workload
Synthesis and sampling on Wednesdays at 9.00-12.15 classroom As223 or AS523 ( according schedule).
Synthesis part, teacher Ari Pekka Korhonen:
18.1. AS 223, Synthesizer, paets and function, analog synthesis
25.1. AS 223, Different sounds (bass, pad, lead, efect)
1.2. AS 223, Fm-synthesis ( in Logic), modeling synthesis (Sculpture)
8.2. AS 523, Group1, 10.45-12.15 Group 2 Fm 8
15.2 No lecture
22.2. Teacher´s winter vacation
1.3. AS 223, Layers, Track stack mixed, layered arpeggios, side chain
8.3. AS 223, Wavetable ja granular synthesis,
22.3. AS 523 Komplete kontrol, sample libraries
29.3. AS 523, Reaktor, presentation of final assignments, reflektion and feedback
Sampling, teacher Ville Riippa:
5.4. AS 223 9.00-12.15 Sampling in general
12.4. AS 223 9.00-12.15 Instrument from saple
19.4. AS 223 9.00-12.15 Sample looping
26.4. AS 523 9.00-10.30 R1, 10.45-12.15 R2 Audio manipulation with sampler
3.5. AS 523 9.00-10.30 R1, 10.45-12.15 R2 Kontakt, presentation of final assignments, reflektion and feedback
Content scheduling
Opetusajankohdat:
Äänisynteesi ja sämpläys, keskiviikkoisin klo 9.00-12.15 välisenä aikana luokassa AS223 tai AS523 (ohjelman mukaisesti).
Ryhmän ollessa yli 8 henkilöä se voi tarvittaessa olla välillä yhdessä ja välillä kahdessa ryhmässä ( Ryhmä 1 klo 9.00-10.30 ja ryhmä 2 klo 10.45-12.15)..Opettajina toimivat AriPekka Korhonen (synteesi) ja Ville Riippa(sämpläys). Tarvittaessa ryhmiin jako toteutetaan kurssin alkaessa. Tuntien aiheiden järjestys voi muuttua ryhmän tarpeiden/toiveiden mukaan kurssin edetessä.
Synteesi osuus (Ari Pekka Korhonen):
18.1. AS 223, Syntetisaattorin osat ja toiminta, analoginen synteesi
25.1. AS 223, Erilaisten soundien rakentaminen ( bassot, matot, leadit, efektit)
1.2. AS 223, Fm-synteesin perusteet (logic ympäristössä),
8.2. AS 523, Ryhmä1, 10.45-12.15 Ryhmä2 Fm 8
15.2.tässä ei tuntia
22.2. opettajien talviloma
1.3. AS 223, Layerointi, Track stack mixed, layered arpeggios, mallintava synteesi(sculpture)
8.3. AS 223, Wavetable ja granulaari,
22.3. AS 523 Komplete kontrol, sämplekirjastot
29.3. AS 523, Reaktor, synteesiosion lopputyön purku, reflektio ja palaute
Sämpläys osuus (Ville Riippa):
5.4. AS 223 9.00-12.15 Sämpläyksestä yleisesti
12.4. AS 223 9.00-12.15 Instrumentin tekeminen sämplestä
19.4. AS 223 9.00-12.15 Sample looping
26.4. AS 523 9.00-10.30 R1, 10.45-12.15 R2 Audion manipuloiminen sämplerin avulla
3.5. AS 523 9.00-10.30 R1, 10.45-12.15 R2 Kontakt, projektien esittely ja purku, palaute
Evaluation scale
Hyväksytty/Hylätty
Assessment criteria, approved/failed
The student is able to follow agreed schedules and submit their assignments on time. The student can work as an active member of the group and give constructive feedback on the contributions of the other group members. The student presents and argues their own contribution to the group as agreed and is able to receive feedback and reflect on their own performance.
Assessment methods and criteria
Continuous assessment
Peer evaluation
Attendance
Learning assignments
(total 100%)
Qualifications
The student knows how to operate a digital audio workstation, and music production and studio equipment on an elementary level. The student understands and is able to research further the fundamentals and basic terminology of hearing, sound and acoustics, and the operating principles of electronic music devices. The student knows the basics of signal routing.